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January 26, 2016

Book Notes - Diane Williams "Fine, Fine, Fine, Fine, Fine"

Fine, Fine, Fine, Fine, Fine

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Previous contributors include Bret Easton Ellis, Kate Christensen, Kevin Brockmeier, T.C. Boyle, Dana Spiotta, Amy Bloom, Aimee Bender, Jesmyn Ward, Heidi Julavits, Hari Kunzru, and many others.

Diane Williams' new story collection Fine, Fine, Fine, Fine, Fine once again proves her a master of the form with these literary flashes of brilliance.

The New York Times wrote of the book:

"A taut collection of flash fictions that are often beautiful but impenetrable, structured like little riddles to unspool. While it is easy to compare Williams's work to that of Lydia Davis, another expert writer of absurdist shorts, this collection stands in its own category as defiantly whimsical and weird... Williams creates stories that can be consumed in small bites. But she provides enough material in each to chew over for an entire meal."

Stream a playlist of these songs at Spotify.

In her own words, here is Diane Williams's Book Notes music playlist for her short story collection Fine, Fine, Fine, Fine, Fine:

Since I now prefer quiet while I work, I listen to music on long automobile road trips (see the list below). I often rely on Angelique Kidjo and Rokia Traore – women singers and composers -- who, as young girls, presumed they would remain obediently in the background or otherwise risk becoming outcasts. My experience exactly.
I have also rallied, really unendingly, to the so-called seasoned voice of one of Cuba's most celebrated singers -- Omara – who has been recording since the 50s and who was seventy years old when she recorded The Buena Vista Social Club Presents Omara Portuondo. I am especially responsive to her throatier, age-induced notes, and find that I can dance while sitting nearly motionless in the passenger seat.

The John Cheever Audio Collection is consistently my roadway fare. The durability of these stories relies on their acute musicality.

Several months after the completion of Fine, Fine, Fine, Fine, Fine -- on the 22nd and on the 23rd of October, 2015 -- I attended two important concerts at which I heard certain music for the first time. The powerful kinship I felt with these pieces aroused confusion. Hadn't I heard these compositions before and long ago? And, might this explain why I feel the way I do all of the time?

On the 22nd, the Verona Quartet (at a Concert Artist's Guild winners concert at the Kosciuszko Foundation) played an excerpt from Gyorgy Ligeti's String Quartet No. 1 -- "Métamorphoses nocturnes," which is one continuous movement broken up into sections. The Quartet played from the beginning of the piece: Allegro grazioso; Vivace, capriccioso; A tempo; Adagio, mesto; Presto.

On the 23rd, "Sestina" (a work for voice and orchestra) by Judah Adashi had its world premiere (as part of the American Composers Orchestra's SONiC Festival at Carnegie Hall). Caroline Shaw sang "Sestina" -- a poem by Ciara Shuttleworth -- six words, variously rotated -- that produces an experience that is, in the composer's own words, "at once intimate and epic."

Oyo Angelique Kidjo (singer, composer, activist from Benin)
Mouneissa Rokia Traore (Malian singer, composer)
La Difference Salif Keita (Malian singer, composer, was an outcast because of albinism which was a sign of bad luck in his culture)
The Buena Vista Social Club Presents Omara Portuondo
The John Cheever Audio Collection
Still Sound Bruce Levinson (Arvo Part, Gross, Satie, Chopin, Schubert, Bolcom,)
Goldberg Variations Johann Sebastian Bach (Glenn Gould)
Below Sea Level and In Close Proximity Augusta Gross
Andean Spirit Vol. 1 Espiritu Andeno (heard group play in the subway at Grand Central)
Amid the Noise So Percussion
Molene Didier Squiban
Money and Cigarettes and Unplugged Eric Clapton
Reason to Believe (The Best of) Tim Hardin

Diane Williams and Fine, Fine, Fine, Fine, Fine links:

the author's Wikipedia entry
excerpt from the book

Chicago Tribune review
Flavorwire review
Kirkus review
Los Angeles Times review
New York Times review
Publishers Weekly review

Largehearted Boy Book Notes essay by the author for Vicky Swanky Is a Beauty
Los Angeles Review of Books interview with the author

also at Largehearted Boy:

Book Notes (2015 - ) (authors create music playlists for their book)
Book Notes (2012 - 2014) (authors create music playlists for their book)
Book Notes (2005 - 2011) (authors create music playlists for their book)
my 11 favorite Book Notes playlist essays

Online "Best of 2015" Book Lists

100 Online Sources for Free and Legal Music Downloads
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Librairie Drawn & Quarterly Books of the Week (recommended new books, magazines, and comics)
musician/author interviews
Note Books (musicians discuss literature)
Short Cuts (writers pair a song with their short story or essay)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film's soundtracks)
weekly music release lists
Word Bookstores Books of the Week (weekly new book highlights)

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